Back to Vermont Studio Center
I’m grateful to a number of people to be packing my bags this week! There’s the National Endowment for the Arts, which funded the two-week fellowship and stipend I’ve received to Vermont Studio Center to work on my novel-in-progress, THE BOOK OF GOTHEL. There’s my Dean, who was kind enough to allow me to participate in the residency despite the fact that it begins during final exam week. There are my colleagues at Lake Superior State University, who agreed to administer my finals. There are my students, who have been so supportive of my absence. And there are of course my husband and daughter, who are being, perhaps, most supportive of all.
It has been a real challenge to maintain a balance between work and creative time, this year, since I’ve been serving as chair and teaching an overload, so this fortnight of dedicated time to focus on my manuscript is much-needed. I have about two thirds of the novel rewritten — this is the third draft, if you’re counting — and with all the dedicated time, I’m expecting to actually finish the rewrite. By the end of the two week residency, I hope to be line editing a printed copy of the whole manuscript. I finished the first draft at Vermont Studio Center when I was there for a month in 2015, so returning there to finish feels like coming full circle.
My travel itinerary on Saturday will be a little intense — both Vermont Studio Center and Sault Sainte Marie are pretty remote — but I’m looking forward to the quiet of Maverick Studios, to celebrating winter solstice in the snowy wilderness of Vermont, to seeing the Gihon River freeze. I’m looking forward to listening to my cleats prick the icy ground, after I suit up to leave my studio for a brisk walk to work through a narrative problem. I’m looking forward to quiet time, to thinking time, and to sending the full manuscript off to the agent who asked to read it when I’m through.
