I received my contributors’ copies of Cimarron Review in this afternoon’s mail. It’s an honor to have two poems from the full-length poetry manuscript I’m working on appear alongside work by Karen Skolfield, Sidney Wade, and Edmund White. Highlights for me, in addition to work by the above-mentioned poets, included Katherine Kaufman’s prose poem, “The Foxes,” and Miriam Cohen’s wonderfully…
My prose poem, “Wolf Skin,” had its musical debut this week at the Baltimore Composers Forum concert with the original score by composer Elizabeth Skola Davis. Watch the video below to see the performance by Joseph Regan, tenor, and Tim McReynolds, piano! The lyrics originally appeared as a prose poem in the Los Angeles Review and as…
I’ve been remiss in not writing about my wonderful experience at Frostburg Indie Lit Festival in October, where I was invited to be part of a panel on Fairy Tales Reimagined by Sarah Ann Winn. I stayed with a fabulous group of writers at a beautiful cabin in the mountains outside town, where the view on my morning runs…
I’m excited to share the release of the latest issue of Border Crossing, the online journal I co-edit with Jillena Rose and Julie Brooks Barbour as part of our work with the Lake Superior State University creative writing program. As fiction editor, I’m especially eager to share the work of the featured fiction writer this year, Saramanda Swigart, who writes the most fabulous–and feminist–historical…
I was excited to receive my contributor’s copies of Southern Humanities Review, today, featuring “The Birds,” first in a series of essays I’m working on about my parents’ and brother’s deaths–this one focusing on my father–and one of the most generous personal notes I’ve ever received from an editor. It is a very good feeling,…
Below is the short film, which I produced collaboratively with Lloyd Eddy (visual artist) and Joshua Legg (choreographer and dancer). It premiered at the multimedia concert, movement/text/image, on April 1, 2016 at Lake Superior State University. Such an amazing experience to collaborate with artists in other disciplines! Text: Fragments from the Alchemist’s Handbook You’ll need the stone…
It’s been a whirlwind semester, so far. In addition to reading and editing fiction submissions for Border Crossing with two wonderful interns, I’ve been teaching two courses for the first time: a course on Responding to Writing for future teachers, and an intermediate creative writing course for majors and minors that is specifically designed to help students take risks in their writing, to…
Last summer, I started editing poetry for Faerie Magazine, the lush quarterly edited by Carolyn Turgeon, which was just profiled in the Style section of the New York Times. If you haven’t heard about Faerie yet, you should check out this article, which examines the magazine’s “gossamer pleasures” and calls it “wonderfully curious and deeply weird.” I have to say, it’s been a delight to read all…