• “The Mother Searches for Her Own Story,” Strange Horizons (forthcoming).
  • Louisiana Disaster Recovery 3.0,” Gulf Coast (29.2, Summer 2017).
  • “Der Froschkönig” and “The Frog Princess [Remix],” Cimarron Review (no. 198, Winter 2017).
  • Bones Knock in the House” and “In the Dining Hall of the Glass Mountain,” Rose Red Review (no. 18, Oct. 2016). “Bones Knock in the House” nominated for a Rhysling and reprinted in The Rhysling Anthology: The Best Science Fiction, Fantasy, and Horror Poetry of 2016
  • “Instructions for Letting the Stranger into Your Bed” and “Ahab’s Sister-Wives,” Phantom Drift: A Journal of New Fabulism (vol. 5, Oct. 2015).
  • “Open Letter to the Frog Princess” and “The Sleagh Maith: A Nocturne,” Ninth Letter (vol. 12.1, Spring/Summer 2015).
  • “Prayer to Athena,” Bulfinch’s Mythology: The Age of Fable issue of Nonbinary Review, 2015.
  • “The Frog King” and “The Day the Woman Shed Her Skin,” The Chattahoochee Review 34.2-3, Fall/Winter 2014.
  • “The Wicked Witch of the East Confesses Her Love of Tap,” L. Frank Baum’s Wizard of Oz issue of Nonbinary Review, Dec. 2014.
  • “The Widow Grieves Her Husband,” “Rosenrot,” “Song of the Beast,” “The Bear,” “What Schneeweisschen thought of the Bear-Prince,” Faerie Magazine, Dec. 2014.
  • “The Woodcutter’s Wife [Hansel and Gretel],” Illumen, Nov. 2014.
  • “Moon Landing,” Midwestern Gothic, Issue 15, Oct. 2014.
  • “The Dun-Shi (He Went Dancing),” “The Body Above,” and “Where to Look for the Sleagh Maith (Margaret’s Song),” Contrary Magazine, Jul. 2014
  • “The Woodcutter’s Wife [Mary’s Child],” Grimm’s issue of Nonbinary Review, May 2014.
  • “Rapunzel Tucks the Twins into Bed,” Faerie Magazine, Issue #26, Mar. 2014.
  • “Songbird-Rapunzel,” “The Birds,” and “The Bzou,” Sleipnir no. 1, Feb. 2014.
  • “The Girl Who Lives in the Keyhole,” Literary Mama, Feb. 2014.
  • “Lepidoptera,” Rougarou, Jan. 2014.
  • “Rotkäppchen,” The Way North: Collected Upper Peninsula New Works, Wayne State University Press, May 2013. Reprint forthcoming in Poetry International. Nominated for a Pushcart Prize.
  • Estate Sale” and “Love is an insect,” Waccamaw no. 11, Apr. 2013. “Estate Sale” reprinted in Sleipnir no. 1, Feb. 2014
  • “Wolf Skin,” The Los Angeles Review no. 13, Feb. 2013. Adapted into original score for tenor, upright bass, and piano by composer Elizabeth Skola Davis; debut performance scheduled by tenor Kelvin Page for February, 2015
  • Irène Joliot-Curie,” “Heyghoge,” and “The Butterfly Dome,” Painted Bride Quarterly no. 86, Feb. 2013. “Irène Joliot-Curie”  forthcoming in Waves: A Confluence of Women’s Voices (A Room of Her Own Foundation), reprinted in The Rhysling Anthology: The Best Science Fiction, Fantasy, and Horror Poetry of 2013 and The Burden of Light: Poems on Illness and Loss, nominated for a Rhysling Award, and finalist in 2012 SFPA Short Form Poetry Contest
  • Old Woman Gothel,” Pedestal Magazine no. 71, Oct. 2012
  • “The Girl Who Came Before” and “Thunder,” Phantom Drift: A Journal of New Fabulism vol. 2, Oct. 2012.
  • “Fur” and “Into the Dark Wood,” Prime Number Magazine no. 19, Apr. 2012.
  • “Ghost Story,” New Delta Review vol. 27, Spring 2010.


Short Nonfiction

  • “Hildegard of Bingen: Daughter of Light,” Faerie Magazine no. 41, Dec. 2017.
  • The Birds,” Southern Humanities Review (vol. 49.3, 2016).
  • “Kate and the Beanstalk: What We Read to Our Children,” Nervous Breakdown, Apr. 2013.
  • “To Fall Asleep in the Dark and Deep,” The Nervous Breakdown, May 2010.
  • A Thousand Words: They Were There,” The Nervous Breakdown, Dec. 2009.
  • “The Economy and Neurosyphilis,” The Nervous Breakdown, Dec. 2008.
  • “Babelfish Translations,” Exquisite Corpse, Summer 2002.


Short Fiction 


Reviews & Interviews