Two Poems in Cimarron Review

I received my contributors’ copies of Cimarron Review in this afternoon’s mail. It’s an honor to have two poems from the full-length poetry manuscript I’m working on appear alongside work by Karen Skolfield, Sidney Wade, and Edmund White.  Highlights for me, in addition to work by the above-mentioned poets, included Katherine Kaufman’s prose poem, “The Foxes,” and Miriam Cohen’s wonderfully sardonic short story, “Wife.” You can order copies here.

    

 

Two Poems in Phantom Drift

I was excited to find the latest issue of Phantom Drift: A Journal of New Fabulism in the mail today. This issue includes two of my poems, “Instructions for Letting the Stranger into Your Bed” and “Ahab’s Sister-Wives,” along with poems by Ki Russell and Gregg Murray, a story by Stephen Langlois, and more! Phantom Drift is always delightfully weird, and this issue’s theme is “navigating the slipstream.” I’m sitting down with my coffee to read it cover to cover now! Order a copy here.

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Two Poems in Ninth Letter

The latest issue of Ninth Letter features two of my poems, “The Sleagh Maith: A Nocturne,” part of my series on folklorist Robert Kirk, and “Open Letter to the Frog Princess,” a poem retelling the Brothers Grimm fairy tale, The Frog King or Iron Heinrich, popularly known as The Princess and the Frog. Also in the issue is new writing by Dawn S. Davies, Ander Monson, Terrance Manning Jr., and more, not to mention some pretty wild visuals, as usual. I love this journal!

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Two poems and review essay on Wolf Skin in Chattahoochee Review

My poems, “The Day the Woman Shed Her Skin” and “The Frog King,” are featured in the Fall/Winter 2014 (34.2-3) issue of The Chattahoochee Review, alongside a review essay by contributing editor Gregg Murray on “Confessionalism and High Modernism in Recent Work by Sampson Starkweather, Mary McMyne, and Okla Elliot.” Here’s an excerpt:

McMyne’s elegant lyricism elevates the verse, giving the fairy tales a weird significance that the many epigraphs in the chapbook (translated, typically from the original German) lack… Her details, such as the Latin name of a plant or butterfly, are authenticating, an important feature of fantastical genres. Such details allow the reader to suspend disbelief and trust the world of the text.

I’m honored to see Wolf Skin get such attention and to see my work included in this issue. One of the highlights for me was “Nathan,” a wonderfully bizarre story by David James Poissant, which reminded me of one of my favorite shorts by Donald Barthelme.