“An Inch Too Tight,” Redivider. Nominated for Best of the Net
“The Institute,” Arkansas Review (print)
“Primrose,” Apex Magazine. Audio performance by Drabblecast, feat. Norm Sherman and Gabrielle deCuir
“Camille,” Philadelphia Stories. Second-place winner, Marguerite McGlinn National Fiction Prize. Finalist, Indiana Review Fiction Prize
“Lilith,” New Myths
“The Black Toenail Diaries: an index,” Word Riot
“Reading His Own Obituary,” Narrative Northeast
Excerpt from “Wait,” Double Dealer. Winner, Faulkner-Wisdom Prize for a Novel-in-Progress.
“Ghost Story,” New Delta Review (print)
“Highwater,” Country Roads (print)


“Psalm for Asherah,” “The Commandment,” and “Prayer for the Woman Scorned,” Journal of Feminist Studies in Religion (forthcoming)
“Shake the Tree [Aschenputtel],” Louisiana Literature (print)
“The Mother Searches for Her Own Story,” Strange Horizons
“Louisiana Disaster Recovery 3.0,” Gulf Coast (print)
“Der Froschkönig” and “The Frog Princess [Remix],” Cimarron Review (print)
“Bones Knock in the House” and “In the Dining Hall of the Glass Mountain,” Rose Red Review. “Bones Knock in the House” nominated for a Rhysling and reprinted in The Rhysling Anthology
“Instructions for Letting the Stranger into Your Bed” and “Ahab’s Sister-Wives,” Phantom Drift: A Journal of New Fabulism (print)
“Open Letter to the Frog Princess” and “The Sleagh Maith: A Nocturne,” Ninth Letter (print)
“The Frog King” and “The Day the Woman Shed Her Skin,” The Chattahoochee Review (print)
“Rosenrot,” “Song of the Beast,” “The Bear,” “What Schneeweisschen thought of the Bear-Prince,” Faerie Magazine (print)
“The Woodcutter’s Wife [Hansel and Gretel],” Illumen (print)
“Moon Landing,” Midwestern Gothic (print)
“The Dun-Shi (He Went Dancing),” “The Body Above,” and “Where to Look for the Sleagh Maith (Margaret’s Song),” Contrary Magazine
“Rapunzel Tucks the Twins into Bed,” Faerie Magazine
“Songbird-Rapunzel,” “The Birds,” and “The Bzou,” Sleipnir 
 “The Girl Who Lives in the Keyhole,” Literary Mama
“Lepidoptera,” Rougarou
“Rotkäppchen,” The Way North: Collected Upper Peninsula New Works (print, Wayne State University Press). Nominated for a Pushcart Prize.
“Estate Sale” and “Love is an insect,” Waccamaw 
“Wolf Skin,” The Los Angeles Review (print). Adapted into original score for tenor, upright bass, and piano by composer Elizabeth Skola Davis; debut performance by tenor Kelvin Page at the Baltimore Composers Festival.
“Irène Joliot-Curie,” “Heyghoge,” and “The Butterfly Dome,” Painted Bride Quarterly. “Irène Joliot-Curie”  forthcoming in Waves: A Confluence of Women’s Voices (A Room of Her Own Foundation), reprinted in The Rhysling Anthology and The Burden of Light: Poems on Illness and Loss, nominated for a Rhysling Award, and finalist in SFPA Short Form Poetry Contest
“Old Woman Gothel,” Pedestal Magazine
“The Girl Who Came Before” and “Thunder,” Phantom Drift: A Journal of New Fabulism (print) 
“Fur” and “Into the Dark Wood,” Prime Number Magazine


“Women in SF&F Month: Feminist Retellings,” Fantasy Book Cafe
“Interview with Mary McMyne about The Book of Gothel,” Enchanted Living (print)
“Hildegard of Bingen: Daughter of Light,” Faerie Magazine (print)
“The Birds,” Southern Humanities Review  (print)
“Kate and the Beanstalk: What We Read to Our Children,” Nervous Breakdown
“To Fall Asleep in the Dark and Deep,” The Nervous Breakdown
“A Thousand Words: They Were There,” The Nervous Breakdown
“The Economy and Neurosyphilis,” The Nervous Breakdown

Reviews & Interviews

“Interview with Maggie Smith,” Tinderbox Poetry Journal
“Review of Jackalope-Girl Learns to Speak by Stacey Balkun,” Tinderbox Poetry Journal
“Review of The Robot Scientist’s Daughter by Jeannine Hall Gailey,” The Rumpus
“Review of Elizabeth Robinson’s On Ghosts,” Verse
“Not for the Faint of Heart: review of boysgirls by Katie Farris,” American Book Review 
“Turning Inward: A Conversation with Kevin Brockmeier,” Web del Sol